Thirty-five years ago, I got my first real job, as an editorial assistant at a now-defunct publishing company called Clarke Irwin. The salary was $6,000 a year, and I worked in a little cubbyhole where I spent a lot of time wrestling with carbon paper and Wite-Out, typing address labels on an old manual typewriter, and rejecting manuscripts.
My biggest job perk was that I got to read the slush pile. Clarke Irwin was mainly an educational publisher, but it had started to get into trade books, including children’s books.
One of the manuscripts that came across my desk was a young adult novel written by a schoolteacher in Newfoundland. The novel was called Hold Fast. I was knocked out by it. I sent it on to the Powers That Be, and the decision was made to publish it.
That’s when I was assigned the best task in publishing. I got to tell the author that we wanted to publish his book.
I phoned Kevin Major. He was very nice. Very polite. We talked for a short while and both said goodbye. But in that second as I was putting down the receiver, I heard him on the other end of the line, shouting with joy just before he hung up the phone. I think he screamed “Wahoo!”
That was the start. For Kevin it was the beginning of a stellar writing career, with fifteen books, a heap of awards and publication around the world.
For me? Hold Fast was my introduction to YA books, and it spoiled me for anything else. That book taught me everything I needed to know about voice and authenticity, about character-driven stories, about sense of place, about making readers feel something. After that, I knew I wanted to edit books for young readers, and I’ve spent the rest of my own career doing so, with Hold Fast setting the bar.
Kevin? Are you out there? Do you remember that Wahoo moment? It’s been thirty-five years. Can you believe it?
Shelley Tanaka is an award-winning author, editor and translator. She lives in Kingston, Ontario.